Though nothing has been made official yet, Nikki Finke over at Deadline Hollywood says the deal is done to bring both Tobey Maguire and Sam Raimi back for Spider-Man 4 and 5. Not only that, but Finke also claims the exclusive on a story we broke right here at Cinematical months ago (thanks for the credit Nikki) -- that Sony plans to shoot both films back to back, not just because it's cheaper, but also because we were informed that James Vanderbilt's (Zodiac) script included a story arc that encompassed two films, not one.

As far as Kirsten Dunst goes, she currently does not have a deal, but Finke claims her character will return and Sony is not interested in recasting her. Villains? While there's been no announcement yet, a source claims that "once you find out who the villain is, you'll know who's playing him." Naturally, that leads everyone to believe that Dylan Baker will reprise his role and ultimately become The Lizard. Should they continue along the same path Spider-Man 3 went down, one imagines another villain (or two) will show up, perhaps as a way to tease us into the fifth film. I'm sure more will arrive online soon, so until then ... are you happy about Maguire and Raimi returning to the franchise?

Spider-Man 4 is currently scheduled to arrive in May, 2011.

Look, I'm thinking the same thing you are: Here comes Hollywood to screw up another one of our beloved franchises by re-imagining it for this new, hip generation. Whenever they try to mess with nostalgia, it always comes back to bite them in the ass -- but could things be different with a franchise like Ghostbusters, which gave us two films ... and, let's admit it, only one real classic? Here are five ways to make a cool Ghostbusters sequel ...

1. Get the Apatow crew involved

When you look back at the original Ghostbusters, you see names like Bill Murray, Dan Aykroyd, Harold Ramis, Rick Moranis and Ivan Reitman. Back in 1984, these were the folks who made us really laugh. These were the young-ish voices of the time; the guys you wanted to pay money to see because you knew they'd be worth it. Today, the same can be said for guys like Seth Rogen, Paul Rudd, Jason Segel, Steve Carell, Jay Baruchel, Jonah Hill, Michael Cera and Craig Robinson. At least a few of those names should show up in the sequel in order for it to have a really good shot of succeeding with fans.

2. Get a director who understands the franchise (ie: Harold Ramis or Ivan Reitman)

While there's a very good chance we'll end up seeing Judd Apatow's name tossed around as producer (no way he's directing this), the best way to hold on to what we love about Ghostbusters is to bring on a man who was there for the first two and knows what, exactly, makes this franchise work. Ramis has been working with the Apatow clan a lot lately (directing Year One, appeared in both Knocked Up and Walk Hard), and is perfectly capable of directing and acting in a film (Hello Egon cameo!). He'd by my choice for this, and, I'm sure, will also lend his voice to the script.

Welcome back to another edition of Insert Caption -- the game you won't want to burn after reading ... because, well, how could you win any prizes then? Last week we asked you to give us your best college-esque caption for a photo from the new comedy College. In return for your brilliance, we were shelling out a one-of-a-kind beer pong table. Sweeet! Only one winner this week, so congrats to John R. for his inspiring take on a classic tale ...



1. "Unfortunately, try as he might, Peter just couldn't find his way back into Narnia" -- John R.

See full image and all captions






This week, we're shacking up with our old Oscar-winning pals Joel and Ethan Coen as they get ready to unveil their latest darkly comedic crime caper, Burn After Reading, starring folks like George Clooney, Brad Pitt, John Malkovich and Frances McDormand. Prizes? Oh yeah, check it: One Grand Prize winner will receive one Burn After Reading USB 2.0, one T-shirt, one Water Bottle and two Wrist Bands. Wait, there's more! Four first prize winners will each receive one T-shirt, one Water Bottle, and two Wrist Bands. Sound off below!



Read the official rules for this contest

Cinematical has just received this exclusive poster for Happy-Go-Lucky (click image to enlarge), directed by Mike Leigh (Vera Drake, Secrets & Lies). The film, which premiered in Telluride and is currently screening at the 2008 Toronto International Film Festival, stars Sally Hawkins as an eternally optimistic teacher living and working in North London. Apart from the exclusive clip we debuted on Cinematical earlier in the week, Kim had this to say about the film: "All in all, I quite liked Happy-Go-Lucky; it's certainly one of Leigh's more mainstream-friendly films, and will appeal to moviegoers beyond the dress-all-in-black, gloom-and-doom cinephile crowd, while still retaining enough of the Leigh touch to satisfy most of the purists."

Happy-Go-Lucky will arrive in theaters with a smile on October 10.

Jamie Bell makes the best of a bad situation as Hallam, the titular teenage protagonist of Mister Foe, whose anger, resentment and paranoia drive him from his father's remote Scottish Highlands estate to the streets of Edinburgh in search of solace. Hallam's mother recently drowned in the loch behind the house, the apparent victim of a freak boating accident, and his dad (Ciarán Hinds) has moved on and married his former secretary Verity (Claire Forlani), whom he was seeing before his wife's untimely passing and whom Hallam believes is a gold-digging hooker responsible for mom's death. Bell conveys the kid's withdrawn distrust through restless body language and wary glares, while at the same time flashing steely, cocky defiance during Hallam's confrontations with dad and Verity, as well as nonchalant, gregarious charm in the company of others. His performance has a multifaceted vitality to it, equal parts wounded puppy dog and plucky fighter, and might have carried director David Mackenzie's follow-up to Asylum (adapted from a novel by Peter Jinks) were it not for the fact that the film doesn't treat its subject as a real person, but rather as a term paper-ready vessel for narrative themes of voyeurism and Freudian longing.

Cinematical has just received the first trailer for Nights and Weekends, written, starring and directed by Joe Swanberg and Greta Gerwig. The film, which first premiered during this year's South by Southwest Film Festival (or SXSW), follows one couple struggling to maintain a long distance relationship, and all the ups and downs that go along with that. Not only does it rank among Swanberg and Gerwig's best to date, but, as I said in my review, both "do a tremendous job tapping into everything we love about our relationships, as well as everything we hate – and they do this with moments, glances, kisses and tears. No score. No set pieces. No set up and payoff."

Like most films that carry the Swanberg and Gerwig name, it's experimental and it definitely takes risks in the way it conveys the story -- but that's also what makes it unique and a pleasure to watch. Instead of searching for plot points, you're forced to share this couple's most intimate moments together -- and not only does it feel raw, fresh and funky, but also satisfying and somewhat therapeutic.

IFC Festival Direct will bring Nights and Weekends to your living room via On Demand beginning September 24, and the film will also enjoy a theatrical run at New York's IFC Center beginning October 10th. Check it out, and let us know what you think. See the trailer below ...

In case you haven't noticed, Cinematical has officially kicked off its coverage of the 2008 Toronto International Film Festival with reviews of two of the biggest films screening this year: Rachel Getting Married and The Brothers Bloom. We have so much in store for you this year, it's best if you just sit back, relax and thank your lucky stars that someone else is in charge of fighting the crowds, the snarky journalists and the lack of sleep.

Most of our coverage will land on the main page here, but you'll always be able to find everything in one place over on our official TIFF Hub. Additionally, down there to the right of your screen you'll see a special Cinematical TIFF Widget housing quick links to all our TIFF coverage. Best of all, you can snag that and put it wherever you want (your site, your friends' site, the site of a total stranger) -- this way you (and your readers) will always know what's going on in Toronto. Could we make it any easier?

So, are you ready to check out a sneak peak of this fall's hottest movies? Do I even need to ask that? Enjoy the coverage, and let us know if there's anything you'd especially like to see.

I bet when you woke up this morning, you thought the same thing I did: "When are we going to get to see Tom Cruise viciously murder a whole bunch of people on the big screen ... again?" Right? We're SO on the same wavelength here, like internet, movie-related soul mates from outer space! That said, fellow soul mate, Variety tells us that Cruise and United Artists have acquired rights to The Monster of Florence, based on the book by Douglas Preston. Cruise will produce and possibly star, though there's no word on whether he'd play the killer or one of the men trying to crack the case.

This is actually a pretty crazy story, and I believe it was the subject of a recent 48 Hours Mystery (or Dateline) where these two guys -- Preston and Italian journalist Mario Spezi -- were on an intense search to find out who exactly committed eight gruesome double homicides between the years of 1968 and 1985. Both men claimed to have found the guy, but then -- since they knew so much about the case -- both became actual suspects themselves. It's a pretty wild story and one that's ripe for the big-screen treatment. Only problem is it kinda suffers from "the Zodiac issue" where no one currently knows who the killer is, and so they won't be able to tie a nice, shiny bow around this puppy. Regardless, it's a good story and I'm curious to see what they do with it. You?

As a kid I fell in love with movies mainly for the stories and characters, and every once in a while, maybe some special effects. As I got older, my love affair was renewed when I discovered the Cult of the Director. The Cult of the Director allows one to look at movies in a far more personal way. It's an ongoing game; one can discover long-forgotten works, or piece together old puzzles, but one can also look ahead and guess how a director's career arc will come together. Basically, there are roughly four kinds of directors. The most common is the kind with no personality, and perhaps very little skill, someone like Brian Robbins, the director of Meet Dave (58 screens). Many of these folks eventually disappear without ever making much of a mark. After that, we get the craftsman, someone with lots of skill and talent but still no personality. These guys are the most interesting to talk to; they're unpretentious and tell the best stories. Brad Anderson, the director of Transsiberian (81 screens), is a good example.

Then there's a weird category of directors who have somehow come to popular attention, despite a lack of skill and/or a lack of personality. These can range from moneymakers like Brett Ratner to Oscar winners like Ron Howard. But of course, since we're talking about live human beings here, there's a lot of wiggle room in these categories, and I could probably establish several sub-categories. Not to mention that any director's career can suddenly change course at any point. Yes, even Brett Ratner could suddenly make a good film. (I'm not saying he will, just that he could.) These people manage to stay on top through a lucky combination of subject matter and promotion. Even though films like Brick Lane (31 screens) and Mongol (16 screens) have no skill or personality, they seem like great films because of their stories and packaging.

We've stayed away from all the Ghostbusters rumors these past couple days because last time we crossed this road, we were told nothing existed. Well, seems that's not at all true: Variety reports that Lee Eisenberg and Gene Stupnitsky (The Office, Year One) have been asked to write a script for a Ghostbusters sequel (reported earlier today by Pajiba.com) that may or may not "pass the torch to a new group of ghost chasers." Funnily enough -- and even though he flat out told us he had nothing to do with it -- this is totally in line with those early rumors that "The Apatow Clan" would be involved in some capacity; namely Seth Rogen. When we asked him about it during the Pineapple Express junket, however, the man denied knowing a thing. Then again, he's an actor ... and he's paid pretty damn well to pretend.

The Apatow connection is also there in that these two writers are behind the Apatow-produced Year One, which, ahem, is being directed by Harold Ramis -- who, in case you forgot, played Dr. Egon Spengler in both Ghostbuster movies. No word from Columbia Pictures on the project, and Variety is simply throwing out all the same fluff that's been reported on other sites for months now. Could we see a reunion and a torch passing? Will the Apatow folks take over the Ghostbusters franchise? I'd certainly be down for it.

You?

(And now we shall continue to run circles around this monster until someone finally caves ...)