Tell No One is a decidedly modern thriller that also, wisely, respects the great examples of the genre's past; strip away all the e-mail and web video and it's a classic Hitchcockian thriller, where a regular-but-resourceful man is squeezed between those who have committed a crime and the cops who think he's committed it. Based on a novel by American best-selling author Harlen Coben, Tell No One is transplanted -- gently -- to France by writer-director Guillame Canet, who turns Coben's breezy summertime page-turner into a breezy summertime movie. Yes, there are plot points in the film where you'll later go back and puzzle over how who knew what when, but trust me, you won't be thinking about that while Tell No One's running up on the big screen.

Alex (François Cluzet) and Margot (Marie-Josee Croze) are happy, childhood sweethearts who've made a real and adult marriage out of that foundation; they're relaxing at the family's country estate enjoying a little night swimming when Margot gets out of the water to check on something. There's a shout, a scream; Alex swims to help her ... and is knocked unconscious by a blow. And then a title jumps the film "Eight Years Later." It's an eye blink for us; for Alex, it's been an eternity.

Empire has been given an exclusive new photo from the highly anticipated remake of The Wolf Man. Click the photo to the right to see the whole thing, and then feel free to begin eagerly anticipating April even more than you already are. (Woohoo, April!) The pic respresents the first official non-lupine look at Benicio del Toro as Lawrence Talbot. And, costume nerd that I am, I'm in love with his Gothic cloak. This movie promises to make me drunk on Victorian drapery.

It also provides the first look at Emily Blunt and Anthony Hopkins, both of whom are nearly unrecognizable. Blunt is so stripped of make-up that she looks straight out of a tintype. She plays Gwen Conliffe, the fiancee of Talbot's recently deceased brother, whom the werewolf-to-be begins developing an affection for her. Hopefully, it's for her personality, and not as a late night snack. Wait, that didn't sound right.

Hopkins, of course, plays the senior Talbot, who is estranged from Lawrence long before he turns lycanthropic. If Empire and IMDB didn't tell me otherwise, I would argue that it was Richard Briers in the photo and not Sir Anthony. Really, everyone but del Toro is unrecognizable in this photo, so kudos to the make-up and hair department.

The Wolf Man is set to be released April 3rd, 2009. I still wish they would release this in the fall, but perhaps a copious amount of bloodshed is just what springtime needs.

Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.

Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.

Columbia Pictures is prepping a comedy in which Sacha Baron Cohen and Will Ferrell will play iconic characters Sherlock Holmes and Dr. Watson, respectively. Already you know if you're going to see this movie or not, right? Count me in the 'definitely interested' pile, but then I'm one of the only people who thought Semi-Pro was freakin' hilarious, so maybe I'm just a sucker for Will Ferrell. And Sacha Cohen as Sherlock Holmes? That sounds potentially priceless. Like Peter Sellers caliber funny. (Maybe.)

Comedy flick gold-miner Judd Apatow is (of course) on board as a producer, but the director has not been specified just yet. (Nor has the name of the movie, come to think of it.) The screenplay comes from Etan Cohen, he of (still funny) Idiocracy and the upcoming (hilarious-looking) Tropic Thunder. As Variety so capably points out, Mr. Cohen and Mr. Ferrell worked together recently (not to mention humorously and very profitably) in Talladega Nights: The Ballad of Ricky Bobby.

More info on this comedy project as it becomes available, but I would like to take this opportunity to recommend a very underrated 1988 comedy called Without a Clue. The gag there was that Dr. Watson (Ben Kingsley) was actually the brains of the operation, whereas Sherlock Holmes (Michael Caine) was nothing more than a drunken buffoon of a stage actor. Funny little flick, but I refuse to buy the DVD because it's Pan & Scan only. Which is disgusting.

Not three weeks ago, I made first mention of a brief and bland teaser for the forthcoming horror film, Mirrors. Now, along comes IGN Movies with a red-band trailer that, at first, didn't do much for me. Blah blah blah, Jack Bauer as security guard for old department store, blah blah, former guard grew obsessed with surrounding mirrors, blah blah -- look, even Amy Smart is yawning after all that exposition.

Oh, did I say 'yawning'? I meant 'tearing off her own jaw'. Yes, while we still seem to be saddled with a fairly ridiculous premise that's seen better and worse days, there's modest comfort to be taken that the R rating ain't exactly being shied away from. Let's face facts here, people: all it takes sometimes is a couple of nifty death scenes to make movies like this that much easier to stomach (well, some might argue the opposite).

Directed by Alexandre Aja and starring Kiefer Sutherland, you can see Mirrors (bah-dum-cha!) on August 15th.

Cinematical has just received this exclusive poster for Blindness (click to enlarge), which enjoyed its world premiere as the opening night film of this year's Cannes Film Festival back in May. Starring Julianne Moore, Mark Ruffalo, Danny Glover and Gael García Bernal, Blindness tells of a city overcome by a blindness epidemic where its citizens are stricken with instant "white blindness." As folks are quarantined off in an abandoned mental hospital, one woman who remains unaffected pretends to be sick in order to take care of her husband, a doctor, who's now blind. Based on Nobel Prize winner Jose Saramago's novel, and directed by the very talented Fernando Meirelles (The Constant Gardener), Blindness definitely looks to bring the creep factor -- and with this outstanding cast, I'm sure it will claim a spot as this fall's first great flick.

Don't close your eyes for too long, because Blindness hits theaters on September 19.

"When you can't tell your friends from your enemies, it's time to go."

The first trailer for Quantum of Solace (aka the next James Bond film) has just arrived online (watch above or over on Moviefone in glorious HD), and I'm totally hooked. First thing I noticed is there seems to be quite a bit more action this time around, including what looks to be a pretty slick speedboat scene. Like in Casino Royale, Quantum of Solace (which picks up right where Royale left off) appears to leave us with a Bond (Daniel Craig) who still can't differentiate between what's personal and what's simply business. Once again, M (Judi Dench) continues to chase after Bond, who's still somewhat of a loose cannon.

Starring Mathieu Amalric, Olga Kurylenko, Gemma Arterton and Jeffrey Wright, Quantum of Solace finds Bond on the hunt for the organization responsible for the death of his shady ex-girlfriend, Vesper Lynd. His mission eventually leads to an environmentalist (Amalric) hell bent on taking over the country's water supply. Those interested can check out the full, official synopsis after the jump.

Quantum of Solace arrives in theaters on November 7th, 2008. What do you think of the trailer?

As someone who's only grown decreasingly fond of the Saw franchise (at least since the second one) and still marvels at the fact that we as a world find ourselves facing the prospect of a fifth (and possibly sixth!) one this coming Halloween and the next, I must attest to being weirdly admirable of how creatively macabre the series' marketing campaigns have been.

Case in point: the first revealed poster for Saw V, included in full after the jump and courtesy of IMP Awards. Following up the magically MPAA-approved acts of amputated limbs, dislodged teeth, and bent fingernails is the face of actor Tobin Bell acting as a mask on another body entirely, in spirit with the films' perpetual acknowledgement that Bell's character, John Kramer/Jigsaw, kinda died at the end of Saw III and sorta went through an autopsy at the beginning of Saw IV.

As Bell remains flaunted and credited in equal measure - as does the similarly deceased Shawnee Smith - I think it's safe to expect A) more flashbacks, a la #4, and B) more exceedingly gruesome demises, a la #1-4. However, at a combined worldwide gross of $553 million to date, it's also safe to say that there are many who'd hope -- who'd pay -- for nothing less.

You know what I call 18 consecutive days of horror, sci-fi, action foreign, indie, obscure, and generally weird movies? Well obviously I call it heaven, but most normal people refer to it as Montreal's Fantasia Film Festival, which runs every July and throws a couple hundred features and shorts to a very ravenous crowd of genre freaks. And with folks like Mitch Davis, Tony Timpone, and Todd Brown (among others) on the programming end, you could probably just book a flight to Montreal without even checking the official Fantasia website.

I'm still not sure if I can make the trek up north next month, but I have been invited and (based mainly on the recently-released full lineup of flicks) I can pretty much guarantee that the current registrants are in for one hell of a good time. Among their selected titles, I can very strongly recommend All the Boys Love Mandy Lane, Dance of the Dead, Jack Brooks: Monster Slayer, Let the Right One In, Mother of Tears, [REC], Stuck, and Timecrimes -- plus they're offering solid titles like Fear(s) of the Dark, The Objective, Red, Second Skin, and Spine Tingler. Among the stuff I'm still drooling to see: Babysitter Wanted, Dark Floors, Midnight Meat Train, Pig Hunt, Repo: The Genetic Opera, and (of course) a new Uwe Boll flick. Plus this festival seems to offer more "Asian weirdness" movies than you'll ever find in one place. At least a dozen that look and sound certifiably insane, unless you'd define Tokyo Gore Police and Negative Happy Chain as "mainstream."

For a complete schedule, lineup, trailer bank, and tons of geeky goodness (in your choice of English or French!), click here and then here. (Montreal's not all that far away...)

It was just last year that Christopher brought us the news that Roman Polanski had selected Richard Harris' novel, The Ghost, as his next big film project. So even though it took some time to get name actors to sign on the dotted line, the wait is over now that MTV reports that Pierce Brosnan and Nicolas Cage will star in the political drama.

Ghost is the story of a writer hired to complete an autobiography of a soon-to-be ex-Prime Minister (with Brosnan playing the PM, and Cage as the writer). Through the course of the interviews, the ghostwriter uncovers some troubling secrets from the Minister's past that put our writer friend in some high-stakes danger. Rumor has it the original idea for the book was loosely based on former PM Tony Blair, but I would assume that any similarities were kept well in the realm of fiction.

I've come to the conclusion that Steven Spielberg must not need any sleep. Because Variety is reporting that he's just added another project to his busy plate: 39 Clues, a multiplatform adventure series that will launch September 9th and run for two years. It spans a series of ten books, collectible cards, and an online game. The game will actually be designed around a contest, where young participants will try to solve the mystery scattered throughout the books, with a chance to win $10,000. Whew! Just typing all that makes me tired, I can't imagine sorting through it to make a movie.

39 Clues does have a neat, Indiana Jones feel to its storyline -- it centers on the most powerful family in the world, the Cahills, who boast Houdini and Napoleon among their relatives. The adventure kicks off in the first book, Maze of Bones, when the death of the Cahill's matriarch, Grace, sparks off a race for the inheritance. She hasn't made it easy, you see: Her last will offers her descendants the choice between $1 million, or a clue. Scattered around the world and throughout history, the clues will reveal the source of the family's secret powers. Spielberg is contemplating taking the director's chair, and aims to have a screenwriter attached in the next few weeks. And the first book hasn't even hit Barnes and Noble yet!

When we last saw a (teaser) trailer for Eagle Eye - the forthcoming thriller that reunites star Shia LaBeouf with Disturbia director D.J. Caruso and Transformers executive producer Steven Spielberg - I commented with something along the lines of, after "reading the synopsis, I've always thought that Caruso and company were following their Rear Window re-do with North by Northwest 2.0."

...which I then followed up with "Whether that's the case or not, I'm a sucker for a chase movie, and more so for [co-star Michelle] Monaghan. Count me in." Well, judging from the new trailer up at Yahoo! Movies, I'll be having a modest amount of crow for lunch later today, as there now seems to be enough distinct differences between that Hitchcock classic and this paranoid techno-thriller that it'll likely excite on its own merits (fingers crossed).

Sure, we seem to have another one of those incredibly elaborate plans on behalf of the baddies that already appears to have too many variables for its own good, but you know what? So long as the thing moves, I'm not above setting aside brains in favor of brawn.

With a cast that also includes Rosario Dawson, Billy Bob Thornton, and Michael Chiklis, Eagle Eye hits theaters on September 26.

George Ratliff's Joshua is my pick for the most underseen and underappreciated movie of last year; I suspect that as a true psychological horror film with something on its mind, it was simply too unpleasant to find much of an audience. But it proved Ratliff's chops as a brainy, skilled filmmaker, and he's been able to get more work (presumably) as a result. He'll be writing and directing an adaptation of an upcoming novel called Salvation Boulevard by Larry Beinhart. Beinhart is probably best known for writing American Hero, which David Mamet would adapt into the popular satire Wag the Dog.

Salvation Boulevard is more demanding stuff: it's a mystery about a private investigator hired to find the killer of a college professor that becomes an exploration of religious faith when it turns out that the professor was an atheist, the P.I. is a born-again Christian, the main suspect is a Muslim student, and the defense attorney is a Jew. Sounds a bit contrived, but I suspect we're missing some data. The movie's executive producer is quoted as saying that the book "uses a mystery to examine the religious process, the mega-churches and how they manipulate minds."

The novel comes out in September, and no schedule's set for the production of the film. In the meantime, go find Joshua on DVD!

Update: Fox has asked us to remove the other two posters since they are not official artwork for the films, but were designed specifically for the trade show. We've been told the official artwork will look nothing like what was presented here.

The Cinema EXPO in Amsterdam is in full swing, and a whole crop of new posters and banners have hit the net (click image above to enlarge). Film1 seems to be the source for all of this stuff, as they've been on the scene at the EXPO all week. Honestly, a combination of cinema and Amsterdam means I NEED to hit this sucker up next year. Film1 also has a few others, including some sort of promo for Watchmen, Monsters vs. Aliens, Wall·E, Ice Age 3 and Madagascar 2.

You'll notice on the Baroness character poster, the subtitle of Rise of Cobra is still there. And is it too early to give Sienna Miller the title of hottest villain in 2009? Doesn't even look like her, right? Meanwhile, the Dragonball art has remained consistent with everything else we've been seeing from that film -- and I believe this is the first piece of marketing material from The Day the Earth Stood Still remake, starring Keanu Reeves and Jennifer Connelly. I'm sure we'll get cleaner images of these in the coming days, but until then, whaddya think?

A whole crop of new images have hit the net as of late, including nine brand new stills from the upcoming thriller Eagle Eye, starring Shia LaBeouf, Michelle Monaghan, Billy Bob Thornton and Rosario Dawson. The film, directed by D.J. Caruso, follows a young slacker (LaBeouf) and a single mom (Monaghan) who somehow get tangled up in a terrorist cell plotting a political assassination. Check out our brand new Eagle Eye gallery below, and keep an eye out for the film when it hits theaters on September 26.



In addition to Eagle Eye, a few more images from the The Pineapple Express were released (see updated gallery below). I'm not sure how to classify Pineapple -- is it a straight-up comedy, a stoner comedy, an action/comedy or an action/stoner comedy with dramatic elements? Either way, I keep hearing excellent things about the flick (which stars Seth Rogen and James Franco) -- and so like Superbad did last August, I'm sure Pineapple (due out August 8) will swoop in and leave us smiling as we hit summer's final stretch.



X-Files after the jump ...